mixed initiatives

I had a lot of time during the pandemic [...] to solve a murder mystery with my housemates.

The roughness of the generation is as important as the range.

Some games work better with more friction.

Some game graphics are more real than others

Every game offers a fantasy, and there are many different ways for them to fulfill those fantasies for players. A focus on agency and strategy has lead us to overlook the importance of performance. (And also why the players themselves are a part of the mechanics.)

A community of practice has research debt when its students and researchers know they need to learn some topic X, but the avalable exposition on topic X is very dense...

This week is about design space, and its navigation via generative instruments.

I am revisiting the definition of software instruments today.

We describe software instruments as a family of interactive computational mediums (i.e. game-like artifacts) spanning both toys and tools...

Ludic mystery games — games that lean into the joy of feeling bewildered — invite us to import the social, discursive learning methodolgies of the real world.

Some software feels bigger than other software: why?

In creative collaboration, mere action is insufficient to communicate intent.

Nier: Automata knows that it is a videogame

These are the notes of the Seabright Camerata, a loose working group of scholar-practitioners in expressive computation.